Ceiling design can be one of the more expensive aspects in a home. Detailed ceilings can cost upwards of $30,000+ to design and build. Up until now, ceiling design and 3D printing were not typically thought of as being such a great combination.
However, this appears to be changing, especially for one design firm, Aztec Scenic Design. They have taken it upon themselves to work with a client to design a very sophisticated custom ceiling, using 3D printing for the majority of the design.
“Aztec Scenic Design, recently created our own makerspace and is beginning to incorporate 3D printing into as many applications as we can allow,” Scenic Designer and Fabricator at Aztec, Austin K. Butler told 3DPrint.com.
“This project was based on drawings designed by Benjamin Cremer who works with us. Then Marc Leonard modeled everything in 123D Design. I came on board with Aztec Scenic Design about two months ago and started helping print the parts for this installation. Then Marc and I assembled three printers and created our own makerspace studio. Once we were up and running, I helped maintain the printers while they were printing and got the printed parts ready to be treated. Once everything was printed the whole crew at Aztec (which includes the owner Gabriel Collazo, Marc Leonard, Benjamin Cremer, Janelle Lyons, Timothy Dameron) applied gold leaf, painted, aged, and installed the entire ceiling. We are continuing to work with this client and are currently designing another more complex ceiling for their theatre, along with other projects.”
What you see in the photo below is 9 panels of wood that serve as the background, in which all parts are fixed to. Then there is the moulding which was cut on a CNC router and then was gold-leafed. The parts were then painted with acrylic, and aged with oil stains, before getting touched up and finished with glaze.
The overall size of this design is approximately 18 feet by 14 feet, and it took approximately 3 full weeks of printing on several different 3D printers. The printers used include a Tinkerine Ditto+ and several Prussa i3 8″ printers. The design required about 6 spools of 3mm ABS filament and 3 spools of 1.75 PLA filament, which cost only a bit over $200. The final install of the ceiling took only 2 days.
We asked Austin Butler how this tremendous design idea came about:
“Marc Leonard has been working with Aztec Scenic Design for a long time now and recently he became obsessed with 3D printing, so he was trying to find a way to merge two of his favorite things,” he explained. “He pioneered the idea of 3D printing these apliques instead of creating molds and using plaster to make the parts, and after months of trying to convince [Gabriel Collazo] that 3D printing is the way of the future, Gabriel went for it! So once the idea was set that Aztec would expand and create a makerspace to facilitate our work, the ceiling design fit perfectly into what we could do. Ben Cremer came up with the initial designs based on Arabian patterns. Then Marc took those sketches and turned them into 3D models with his own designs. The color choices were based on the clients current decor, and Ben and Gabriel made the final choices that you see. All in all this was an extremely collaborative project that couldn’t have been done without the entire Aztec crew, along with our good friend James who helped model, print, and fabricate.”
As anyone knows that has either helped build a custom ceiling, or had one done in their home, it can be extremely time consuming. It takes a lot of time making molds, and then building the customizations with plaster. 3D printing seems to have made the process quite a bit easier and less tedious for Aztec Scenic Design.
Butler told us that he believes that there are approximately 400 different 3D printed parts in this ceiling that they designed. The most difficult parts of this project were troubleshooting five 3D printers, as well as working the kinks out using several different pieces of software. It was also extremely hard for the company to keep track of all of the 400 printed pieces.
“Keeping track of what we printed and what still needed to be printed proved difficult due to the large number of printed parts,” said Butler. “It seemed like every time we laid the ceiling out on the floor we were missing another piece to the giant puzzle.”
Check out more photos, of this incredible project, as well as videos of Aztec’s makerspace, and chat with Austin Butler at 3DPrintBoard.
You May Also Like
Nanyang Technological University: Processes & Materials in Large Scale Concrete Printing
Yi Wei Daniel Tay of the School of Mechanical and Aerospace Engineering at Nanyang Technological University recently submitted a thesis, ‘Large scale 3D concrete printing : process and materials properties,’...
Recycling Filaments: Evaluating the Mechanical Response of ABS in Multiple Cycles
Researchers from Greece experiment with sustainability in materials, detailing the findings of their study in the recently published ‘Sustainable Additive Manufacturing: Mechanical Response of Acrylonitrile-Butadiene-Styrene Over Multiple Recycling Processes.’ The...
3D Systems Streamlines Software for Reverse Engineering
3D Systems has announced the latest versions of its Geomagic Design X and Geomagic Wrap software, this time claiming “first-to-market capabilities” for streamlining workflows and improving design precision. New features...
Biopolymers Used to 3D Print Large-scale Marine Fender
As discussed in our series on the role of 3D printing and polymers in (averting or contributing to) ecological collapse, biopolymers may be a crucial factor in the equation to...
View our broad assortment of in house and third party products.