When I was a kid growing up in south Florida, artists abounded, but the idea–and acceptance factor–of the ‘art installation’ had yet to grow. Artists who were involved in alternative, experimental, and performance art were few and far between and considered to be pretty ‘out there.’ Artists simply weren’t able to take on complex technology or mass material production at that point by themselves, so focus was placed on the materials and processes the artists were in control of, still quite traditional up until the last decade or so.
Today, the art installation is much more self-propelled by the artist, often coupled with digital design and 3D printing, and is as common as any other artistic event– quickly growing as the trendiest way to show off work. Nothing says you are up and coming, unique, and a bit experimental like explaining that you are working on ‘an installation.’ From there, one imagines people coming to check things out rather quizzically, imbuing the work with their own perspective, as a meaning is not always readily given by modern and expansive artists who want viewers to do some of the mental work.
Currently, Beijing’s Silk Project spatial lab, founded in 2012, offers a way for student designers to figure out not only what their roles are in working with the new technology and materials but to dig right in and start experimenting, led by those who’ve had some experience in areas like robotics, materials science, and 3D printing. Those learning are pushed so that they in turn push back, not letting traditional barriers keep them from trying new combinations of technology and material.
The Silky Concrete structure from Silk Projects is not only an installation that demonstrates some of their best work, but is the result of a lengthy and intense research and design project from the Shanghai Digital Future in Tongji University, also included at the city’s DADA 2015 conference. In discussing expansive, contemporary installations, here is an ultimate example of a comprehensive installation.
“With a passion for using concrete cement, we find that the possibility of putting 3D printing technology into the construction process raises a serious discussion…” said instructor Lei Yu. “We believe that this is definitely the true responsibility of the new generation’s architectural designer.”
The artists–students led by Lei Yu, who has experience in robotics, 3D printing and working from the spatial dynamic–researched combining what are truly cutting edge technologies no matter which corner of the world you are designing in. The result was a fairly massive structure which involved an intricate number of panels, each unique.
“Just with some simple solutions, we taught the students how to achieve the construction quality at a relatively high level, regarding 165 panels that are all different from the others,” said Lei Yu.
The installation is approximately 5.4 x 4.3 x 2.5 m. Also referred to by the creators as a pavilion, the 3D printed work has three separate entrances with 1.8m clearance. Creation and assembly of the 3D printed piece was heavily reliant on the efforts of the industrial robot, the 1 KUKA Agilus. The instructors and students employed ten large 3D printers, and materials to include:
- 50 kg additives
- 200 kg plastics
- 200 kg cement
- 50 g water
With 20 days of preliminary preparations, the project then spanned nine days where the entire team worked together intensively to bring together their 3D printed pavilion which evolved from concept to digital design using Rhino. Using triangulation algorithms, they created the frame design and then created g-code for each panel as they prepared to 3D print the multi-paneled structure which resulted in the human scale installation. It features an intricate–almost delicate–organic structure which is deceptively solid due to the concrete material. The silk concrete idea is both a unique and fascinating material laid in a lattice-like network, being extruded in a bright white gloss.
Have you participated in 3D printing any large pieces of design work, or installations? Discuss in the Silky Concrete Project forum thread over at 3DPB.com. Check out the video below to see the build in action.
You May Also Like
Nanyang Technological University: Processes & Materials in Large Scale Concrete Printing
Yi Wei Daniel Tay of the School of Mechanical and Aerospace Engineering at Nanyang Technological University recently submitted a thesis, ‘Large scale 3D concrete printing : process and materials properties,’...
Recycling Filaments: Evaluating the Mechanical Response of ABS in Multiple Cycles
Researchers from Greece experiment with sustainability in materials, detailing the findings of their study in the recently published ‘Sustainable Additive Manufacturing: Mechanical Response of Acrylonitrile-Butadiene-Styrene Over Multiple Recycling Processes.’ The...
3D Systems Streamlines Software for Reverse Engineering
3D Systems has announced the latest versions of its Geomagic Design X and Geomagic Wrap software, this time claiming “first-to-market capabilities” for streamlining workflows and improving design precision. New features...
Biopolymers Used to 3D Print Large-scale Marine Fender
As discussed in our series on the role of 3D printing and polymers in (averting or contributing to) ecological collapse, biopolymers may be a crucial factor in the equation to...
View our broad assortment of in house and third party products.