Ultra Quick, Large Format 3D Printing Officially Commercialized by Azul 3D

IMTS

Share this Article

We’ve recently covered LEAP and continuous liquid interface production (CLIP), as ultra-fast 3D printing technologies that are enabling production-level manufacturing output and speed for 3D printing. However, CLIP (41.4cm by 25.9cm) and LEAP are critically limited, with small build sizes, output volumes, and resin materials, and this is where High Area Rapid Printing (HARP) is breaking records.

Published first in Science in October 2019, HARP is a patent-pending continuous digital light processing (cDLP) method, in which build size and certain resin materials are no longer a limitation for cDLP. It can print objects the size of adult humans in two hours, and in one day it can print 300 6.5-inch sized ornaments or 1000, potentially 2000, face shields. With HARP, printing speeds exceed half a meter an hour, which is a record level in this printer class for the 3D printing industry. In fact, with its unique “tiling” mechanism, the size of objects printed is “theoretically unlimited” and the printer can be scaled without limit. In addition, although cDLP 3D printing is known to require secondary processing techniques, such as heat treatment and additional UV curing, with HARP, high-resolution light patterning produces final parts which require little post processing.

Image courtesy of Azul 3D

Interestingly, the inventor of HARP and founder of US-based Azul 3D, Dr. Mirkin, is a close colleague of Dr. DeSimone, the inventor of CLIP and founder of Carbon. A Professor of Chemistry at Northwestern University, Dr. Mirkin has led research to develop HARP to address many of the limitations with CLIP, in terms of heat and resulting build size, applicable resins, and is said to be ten times faster. An area where HARP fundamentally differs from CLIP, is that, where CLIP uses a thin layer of oxygen to inhibit resin curing, HARP uses a liquid interface to remove heat generated from the print process, eliminate or drastically reduce bed adhesion, and expand the use materials to include oxygen-insensitive resins as well. HARP can print with a broad range of photopolymers, including rubber-like, machinable, flexible, and high-temperature ceramics, expanding its scope and application for production across industries.

Image courtesy of Science, and Northwestern University

A critical limitation with DLP technology was addressing the heat released (often over 180 degrees Celsius) when the resin layers cure, often resulting in warped or cracked parts. With HARP, a liquid coolant (fluorinated oils) circulates below the resin, creating a mobile, non-stick interface (referred to as “liquid Teflon” by Northwestern University researchers) that directly extracts heat as the object prints vertically, keeping surface part temperatures at 100 to 120 degrees Celsius. The non-stick surface also means each resin layer does not adhere to the bottom of the VAT after curing—and does not have to be separated each time, allowing for a hundredfold increase in printing speed. This enables HARP printers, 13 feet tall with a 2.5 square foot bed size, to build at rates over 430 mm/hr and output over 100 liters/hr. With this, HARP fundamentally improves on CLIP in ways that could prove a game-changer for 3D printing production using SLA-based technologies.

The technology has already been used in Chicago, US to print face shields during COVID-19, producing over 1000 per day. Newer versions of the printer are expected to double this capacity. In October 2019, research results regarding HARP were published in Science, followed by an announcement the technology would be commercially available in 18 months. Today, HARP is being commercialized by Azul 3D, and in May this year, the company received second stage seed financing of over $8 million, with recent cash infusions of $5.4 million to launch the first commercial HARP printers. Additionally, Jennifer Lewis, world-renowned pioneer in microscale 3D printing and bioprinting, and Wyss Institute Professor at Harvard University, has joined the Technical Advisory Board at Azul 3D, expanding its leadership team. Azul 3D plans for its early clients or beta partners to receive the first printers in the first quarter of 2021, with production-ready printers to be shipped by the end of 2021.

Share this Article


Recent News

Liquid Metal 3D Printing Sector Emerges with Fluent Metal’s $5.5M Investment

3DPOD Episode 191: Amy Alexander, 3D Printing at the Mayo Clinic



Categories

3D Design

3D Printed Art

3D Printed Food

3D Printed Guns


You May Also Like

3DPOD Episode 190: Generative Design for 3D Printing with Novineer CEO Ali Tamijani

Ali Tamijani, a professor in the Department of Aerospace Engineering at Embry-Riddle Aeronautical University, has an extensive background in composites, tool pathing, and the development of functional 3D printed parts,...

Featured

3DPOD Episode 189: AMUG President Shannon VanDeren

Shannon VanDeren is a consultant in the 3D printing industry, focusing on implementation and integration for her company, Layered Manufacturing and Consulting. For nearly ten years, she has been involved...

3DPOD Episode 188: Clare Difazio of E3D – Growing the Industry, and Growing With the Industry

Clare DiFazio’s journey into the 3D printing industry was serendipitous, yet her involvement at critical moments has significantly influenced the sector. Her position as Head of Marketing & Product Strategy...

Featured

Printing Money Episode 15: 3D Printing Markets & Deals, with AM Research and AMPOWER

Printing Money returns with Episode 15! This month, NewCap Partners‘ Danny Piper is joined by Scott Dunham, Executive Vice President of Research at Additive Manufacturing (AM) Research, and Matthias Schmidt-Lehr,...