AMS X

Lifting the Barriers to Incorporating 3D Printing in Fashion Design Education

Formnext

Share this Article

The 3D printed APEX coat from Alexis Walsh and Justin Hattendorf [Image: Amy Pinard]

3D printing is working its way more and more into the world of fashion. Whether it’s on the runways, in wearable collections or both, 3D printing is appearing in a variety of designers’ work. Just how important is 3D printing to the fashion industry, however? Will the technology truly change fashion design on a significant level, or is it just a peripheral novelty? In a paper entitled “Integration of 3 Dimensional Modeling and Printing into Fashion Design Curriculum: Opportunities and Challenges,” Nicole Eckerson and Li Zhao of the University of Missouri discuss whether 3D printing should be integrated into fashion design curriculum, as well as the barriers to adoption of 3D printing in fashion.

Although 3D printing has not yet reached the mainstream and mid-market segments, the authors point out, the technology is starting to “trickle down” into the luxury, accessory and maker domains. 3D printing has been recognized as a major influence in the work of designers and engineers over the last decade, but in the fashion world, educators are facing a lack of time, resources and knowledge to teach the technology to students.

“Integrating 3DP technology into curricula is still at its early stages and requires more pedagogical development in higher education and fashion related disciplines,” the authors state.

The authors employed a qualitative research design in their study, conducting semi-structured interviews with 3D printing industry and academic professionals. Eight industry experts and academic professionals were recruited in total.

“The focus of the interviews examined their knowledge and application of 3DP technology for the purpose of integrating into design curriculum,” the authors continue. “Once data collection was complete major themes were synthesized and recommendation for curriculum development was made.”

Iris van Herpen’s 3D printed dress [Image: Yannis Vlamos]

Three major themes emerged from the interview data. The first was that utilization of 3D printing technology has significant added value. One of the highest values added is expression, allowing designers to demonstrate their competence through unique designs. The authors also point out the environmental-friendliness of 3D printing, as many of its materials are recyclable and/or reusable. The second theme was that 3D printing has become an efficient method for production, workflow and exchange of information, and the third is that the use of 3D printing technology provides the opportunity for customization and limitless design possibilities.

“Although 3DP is not a magical solution to product design this technology can have a positive affect throughout the supply chain,” the authors state. “Using 3DP technology helps engage students in untraditional thought processes and forces learners to enhance their 3D visualization skills as opposed to the traditional two dimensional method taught. Causing design learners to think creatively about shape, volume, space, materials, assembly, design approach, and best practices.”

The most significant barriers for integrating 3D printing design into fashion curriculum include the lack of time, resources, funding and educator knowledge and skill. A barrier for students is accessibility and exposure. The challenge is for educators to find ways to train their students in 3D design and printing technology. Participants in the study agreed that educators must start with basic foundations, and that students need to have exposure to 3D modeling, 3D printers and a variety of materials.

[Image: Simone Leonelli]

“All parties agree that 3DP technology can assist in creating an opportunity for a collaborative environment to enhance student learning, engagement, workflow, exchange of information, and development of shared common language with others,” the authors conclude. “Study participants agree that the specific 3D modeling software, printer, and artifact made is less significant in the integration process than providing the opportunity for exposure, application, critical thinking, and problem solving.”

Discuss this and other 3D printing topics at 3DPrintBoard.com or share your thoughts below.



Share this Article


Recent News

The Hidden Economics of Metal 3D Printing: Closing the Loop in Powder Management

Deals, Dollars and 3D Printing: What’s Moving in AM



Categories

3D Design

3D Printed Art

3D Printed Food

3D Printed Guns


You May Also Like

Oerlikon Adds ATLIX’s xBUILD 5000, Plans More for 2027

Oerlikon has installed a new ATLIX xBUILD 5000 metal 3D printer at its facility in Huntersville, North Carolina, marking the first production deployment of the system worldwide. The machine will...

The Manufacturing Race Behind the Drone Revolution

We are in the middle of a major manufacturing shift focused on the production speed and payload capacity of uncrewed aerial systems (UAS), or drones. A recent Manufacturing Dive article...

Stratasys vs. Bambu Lab: Why Europe and the U.S. Reached Different Results, Part II

Editor’s note: This is Part 2 of a two-part series by Xu Fanglei examining the technology and patent issues behind the Stratasys-Bambu Lab dispute. Part 1 looked at the $27.6...

3D Printing News Briefs, October 1, 2026: Defense, Enclosures, & More

In today’s 3D Printing News Briefs, we’re starting with defense news, first from Massivit and then from AML3D. Then we’ll move on to U.S. manufacturing of a new large-format LPBF...