Feldi is interested in wearables and combining crafts with tech, and wanted to give it a shot using LulzBot 3D printers – also the preferred machine of Ryerson University graduate and fashion designer Stephania Stefanakou, who is well-versed in 3D printing on fabric.
“Before we jump in, I want to give credit to my inspiration,” Feldi wrote in a SparkFun blog post detailing the experiment. “There have been tons of similar projects, but most credit for the development of this technique can go to David Shorey, who wrote about his work in Make Magazine. His work definitely piqued my interest, but I really decided to give it a go when I saw this necklace on imgur. I loved the idea of not only using this to make a scaling malleable surface, but also to create a visual floating effect against the skin.”
Feldi broke down the process into a step-by-step format, starting with making or downloading a model and preparing the g-code, and then starting the print. After the first two or three layers are finished, pause the print and move the Z-axis up manually before stretching the fabric very taut over the 3D printed materials.
“If the nozzle even grazes the fabric, it will burn a massive hole and basically ruin your entire print. I lost a lot of good fabric to the nozzle drag, which brings me to my third lesson: Don’t bring the Z-axis back down to its original position, but rather one notch above where it had been. The melted extruded plastic will still stick to the layers below and you won’t risk burning your fabric as much with that extra space.”
Feldi started off with a simple design for a floating bracelet as a test, and successfully used tiny magnets for the clasp. After this first success, the blogger created a model with several whimsical floating stars, which proved more than a little frustrating.
“It turns out that their sharp angles were having a hard time sticking to the print bed,” Feldi explained. “When the nozzle made a sharp turn, it would start to pick up the filament it had just laid down with it, making a big mess of melted plastic.”
“I decided that if I included some electronics, each module should be self contained as to avoid shattering the illusion of floating object with wires or conductive thread,” Feldi wrote.
First, it was determined roughly how much space a simple circuit and battery might take up, and then Feldi began 3D printing a preliminary module design. But the blogger immediately noticed that the delicate nylon fabric being used would not be able to hold up well under “a super bulky module.”
Feldi attempted to reduce the size by using a flat LilyPad LED instead of the larger, super-bright one, but it wasn’t bright enough. In order to lower the circuit height without losing any brightness, Feldi decided to forget about the pulsing LED, and just used an LED, battery, resister under a protoboard, and a JST connector to “make the smallest circuit possible.”
“I probably went through about 10 iterations before I finalized my design,” Feldi said. “In a few cases I made my walls too thin, and in some too thick. I initially planned to use magnets to secure the two parts of a module, but this meant making the walls a lot thicker than I wanted too.”
Two parts, a base and a cap, made up the module, so the electronics would fit inside. The design used pressure to hold the pieces together, and the battery fit in the base for space-saving purposes.
“Once I nailed everything down as a free-standing module, I moved on to print on fabric. With all the practice from my previous experiments, I was able to execute a few clean fabric prints pretty quickly. The final result of several electronics modules on fabric looks pretty ok, but I think could be refined a lot more.”
Feldi learned a lot, but thinks more time is needed to figure out the electronics a little more. The next iteration may even need some custom PCB design, which the blogger thinks is “a good next step.”
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[Images: SparkFun]